Exhibitions - Amelie, Maison d'art

Exhibitions

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GALERIE SEGUIER

OPEN HOUSE

Anima Mundi

From July 21 to 30

We are delighted to present the recent works of Virginie Hucher during an open house this Saturday, July 23 at 18 rue Séguier, 75006 Paris.

BEYOND THE WALLS

International Design Parade Festival

Virginie Hucher at the Noailles villa

Discover the work of Virginie Hucher during the International Design Parade in Hyères, in the Villa NoaillesThe Design Parade is organised by Lauranne Elise Schmitt and the artists' works rhyme with the Mediterranean. The honorary president for the 2022 edition is interior architect Rodolphe Parente and the president of the jury is Dutch designer Ineke Hans.   

Photos : Lauranne Elise Schmitt  

Upcoming exhibitions

Les trames du possible - september 2022

Juliette Lemontey & Guido de Zan - October 2022

Nick Mcphail - October 2022

Victor Cadene - December 2022

Nicolas Lefebvre - December 2022

Photo Saint Germain - November 2022

Past exhibitions

bruno dufourmantelle

from october 21st to 29, 2021

Bruno Dufourmantelle’s work is traversed by a corporeal relation with painting and the implications he has in the formulation of an absolute plasticity; this is as true of the paintings explicitly titled « Battles » as it is for the more recent works in which the image appears out of a physical confrontation with the organic aspects of pictorial materials and techniques : « I depart from black backgrounds in order to show light » , black background, light, colours, forms...

This dynamism proves the real quality of this work, whose forms (the content, the subject) do not preexist, but emerge from the void in the surface effects : « Look for beings in painting through painting ». Juxtaposed, isolated, intermingled forms that are difficult to make out (rock-like bodies, horizon-line bodies, landscape bodies) emerge from a « material of light », worked with the impressions of brushstrokes and blades (a series entitled Paysages humains, human landscapes). More-detailed hands form landmarks, while the bodies juxtapose their solitudes and their secrets-neither united nor separated.

Bruno Dufourmantelle occupies this place in which the distinction between realism and abstraction dissolves or becomes blurred, the form and the figure meld in the exploration of pictorial practice. His paintings therefore represents a memory and it refers to the emotional turbulence that a gesture can produce. The artist makes references to what we can’t say, in its capacity to create an analogy with the invisible and the unintelligible: « Paintings are interior places. I am, above all, seeking the interiority of beings and the invisible ». He thus demonstrates, here in a musical mode, that painting is a valid substitute for the depth of emotion or expression.