Exhibitions
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GALERIE SEGUIER
Hanging
Jade Marra
Jade Marra, the painter, has returned from an artistic residency she conducted in the south of France. This period offered her a valuable opportunity to deepen her research and explore new facets of her art.
Through this immersion, she was able to nourish her creativity and develop new techniques. She created works on both canvas and paper, with each medium providing her with a unique source of inspiration.
The landscapes and atmosphere of the south of France particularly influenced her creations, leading to a series of unique and original pieces imbued with this Mediterranean ambiance.
BEYOND THE WALLS
"Remembering Beautiful Things"
- Juliette Lemontey and Laura Pasquino
From May 18th to May 26th
The exhibition "Remembering Beautiful Things" with artists Juliette Lemontey and Laura Pasquino will take place at Château de Houtain-le-Val in Belgium.
The duo exhibition takes visitors on a poetic journey between Juliette's artworks and Laura's ceramics. It unfolds within the enchanting setting of a historic castle dating back to the 12th century. This place has witnessed the ups and downs of history, from the passions of the Duke of Brabant to the resilience of the women who have left their mark there.
Juliette Lemontey, a French painter, is known for her ability to capture life, the grace of movements, and the silences of faces. Her work on memory and identity resonates deeply with the history of Château de Houtain-Le-Val. This exhibition also marks her debut at the Grège Gallery in Belgium.
On the other hand, Laura Pasquino, a ceramist based in Amsterdam, explores life's contrasts, between softness and harshness. Through her ceramics, she plays with textures, raw strength, and the organic shapes of nature. The cracks and tears on her pieces become visual metaphors for human scars and wounds.
Upcoming exhibitions
Paris
June 23th to 14th 2024
Paris
from June 6th to 22th 2024
New York
June 2024
Paris
From September 19th to October 2nd 2024
New York
September 2024
Past exhibitions
Ladies' Room & Mineral
The Ladies' Room & Mineral with Elisa Carutti and Fabienne Jousse
June 2019
The collective has imagined furniture and objects that interact perfectly with the art room and the works that punctuate its walls. The theme of the drawing room is, or "salon" is a reference to the events were women received, drew, played music but also expressed their ideas. Among the offered pieces, a marble throne and side table, a stoneware bowl, a brass suspension, and a stool are part of this capsule collection which also includes trays, glasses, decanters, lighting fixtures, and vases. Founded in 2016 by the four friends in Milan, The Ladies' room creates multidisciplinary projects that meet the renewed needs of our time while calling on the most advanced Italian craftsmen. The design of each piece is a smart balance between the creative identities and the use of high-quality materials. The Ladies' room strives to offer an experiential dimension of design in harmony with the spirit of the Amelie Art House while preserving the personality of each of the four ladies.
"An empty house is not a real house, and objects are not just objects; they keep us company.
THE LADIES' ROOM presents "You Are Welcome," an intimate space inhabited by a tailor-made collection, inspired by the layout of the drawing rooms; Rooms used to be for men.
A social space in which objects tell a story and make each domestic interior unique. This collection creates a varied panorama illustrated by delicate metallic shapes, ceramic gestures, textured marble, and glass with mystical transparency. These creations compose a delicate interior with a touch of pink. "
MINERAL
There is undoubtedly a mineral. Probably something organic too.
Some micro, nano, fragments of nature:
In Elisa Carutti’s pattern: a stone, a rock, and molecules.
In Fabienne Jousse’s materials, a particle, an graphite exact, a damaged paper.
Elisa Carutti's compositions are superimpositions on the aquatint of broken, disordered elements as if to restore "the form to the formless.»
Fabienne Jousse’s work stands on « a controlled hazard » where very volatile graphite powder comes to fix the deformations of the paper with adhesive paper.
Often only one single color, always one material: the paper. As well as an economic of means.
See for the essential in the natural.
