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Jade Marra, the painter, has returned from an artistic residency she conducted in the south of France. This period offered her a valuable opportunity to deepen her research and explore new facets of her art.
Through this immersion, she was able to nourish her creativity and develop new techniques. She created works on both canvas and paper, with each medium providing her with a unique source of inspiration.
The landscapes and atmosphere of the south of France particularly influenced her creations, leading to a series of unique and original pieces imbued with this Mediterranean ambiance.
From May 18th to May 26th
The exhibition "Remembering Beautiful Things" with artists Juliette Lemontey and Laura Pasquino will take place at Château de Houtain-le-Val in Belgium.
The duo exhibition takes visitors on a poetic journey between Juliette's artworks and Laura's ceramics. It unfolds within the enchanting setting of a historic castle dating back to the 12th century. This place has witnessed the ups and downs of history, from the passions of the Duke of Brabant to the resilience of the women who have left their mark there.
Juliette Lemontey, a French painter, is known for her ability to capture life, the grace of movements, and the silences of faces. Her work on memory and identity resonates deeply with the history of Château de Houtain-Le-Val. This exhibition also marks her debut at the Grège Gallery in Belgium.
On the other hand, Laura Pasquino, a ceramist based in Amsterdam, explores life's contrasts, between softness and harshness. Through her ceramics, she plays with textures, raw strength, and the organic shapes of nature. The cracks and tears on her pieces become visual metaphors for human scars and wounds.
June 23th to 14th 2024
from June 6th to 22th 2024
June 2024
From September 19th to October 2nd 2024
September 2024
March 2016
https://en.wikipedia.org/wiki/ColorHere, told me Claire de Chavagnac Brugnon, showing me her canvas: this is my walk in Amsterdam. First thing, which you pay attention on is series of spots, each as small as cat's footprint. No, no, what we see is a rhythm of colours, starting from left to right and from top to bottom. We can almost hear what we see.
Caught between the swing between the eye and the ear, as a piece of music on the radio takes us in the car; you arrive at your destination without turning off the engine; even when stopped, the movement remains irresistible. In this case, that of a trip to Amsterdam, where one day the artist walked. These tones are reminiscent of gleaming paving stones, fluid reflections of the windows on the canals, blades of the sky cutting the glaucous depths of the water. What matters, however, is not the origin but the play of colors, the rhythm of the signs, their ricochet on the look and the hearing of the present. Each imprint is in turn the translation of memory into light, of light into pigment, of pigment into musical writing.
Excerpt from the text of the writer Denis Hirson in "Claire de Chavagnac-Brugnon, THE TEXTURE OF TIME" published by Lelivredart, 2014.