Exhibitions

Association of chromies, textures, opposition or analogies of shapes, each work resonates with the high-quality pieces of furniture from Philippe Hurel's 2021 collection, at 4 Rue du Bouloi, 75001 Paris, from 6 p.m. to 8 p.m.

Philippe Hurel, designer of exceptional furniture called on Amelie, Maison d'Art - embodied by Amélie du Chalard - to enhance his new collection of furniture. Among more than a hundred contemporary artists that she represents, Amélie du Chalard has chosen some of the works of painters, sculptors, visual artists and photographer.

The values ​​shared by the two Houses, the love of materials, the diversity of disciplines, the discovery of talents, the attachment to the gesture of the hand and to creation, ensure a common thread between Amélie, Maison d'art and Philippe Hurel.

Association of colors, textures, opposition or analogies of shapes, each work resonates with the high-quality pieces of furniture from Philippe Hurel's 2021 collection. With this unique installation, the visitor is immersed in different domestic and artistic worlds of invigorating modernity.

Living Lines

The works of Pola Carmen and Pilar Angeloglou are guided by the line.

It runs and traces its way on the coated canvases of Pola Carmen and draws the outline of the architectures of Pilar Angeloglou. In both cases, imperfect and moving, the line vibrates and agitates: it is alive.

Pola Carmen's paintings are first of all a work on the background. This background is coated, like a facade, with a very matte and deep material, left raw on the edges.

Then comes the line. An almost infinite line, whose trace is lost. These paths, Pola Carmen comes to draw them with the fatty pastel or the stick of oil. This long path constitutes like a floating frame in which openings are created which, like breaths, give rhythm to the visitor's look.

Like a game, Pilar Angeloglou builds spaces. Imaginary planes intertwine to circumvent and catch the light. Sometimes, a curve or a round opening comes to surprise and offer a new perspective. The sculpture constitutes a real space, dynamic and favourable to the wandering of the glance.

Amélie du Chalard