Throughout the year we happily organize collective and / or monographic exhibitions in the Art Room and outside the walls in exceptional places. On these occasions, we bring artists together around a theme which is important to us and we are showing their recent works. These exhibitions can be seen for several weeks by appointment in the Art Room or open to the public during openings.
Thursday September 10, cocktail to discover our exhibition at PHILIPPE HUREL:
Association of chromies, textures, opposition or analogies of shapes, each work resonates with the high-quality pieces of furniture from Philippe Hurel's 2020 collection, at 4 Rue du Bouloi, 75001 Paris, from 6 p.m. to 8 p.m.
Philippe Hurel, designer of exceptional furniture called on Amelie, Maison d'Art - embodied by Amélie du Chalard - to enhance his new collection of furniture. Among more than a hundred contemporary artists that she represents, Amélie du Chalard has chosen some of the works of painters, sculptors, visual artists and photographer.
The values shared by the two Houses, the love of materials, the diversity of disciplines, the discovery of talents, the attachment to the gesture of the hand and to creation, ensure a common thread between Amélie, Maison d'art and Philippe Hurel.
Association of colors, textures, opposition or analogies of shapes, each work resonates with the high-quality pieces of furniture from Philippe Hurel's 2020 collection. With this unique installation, the visitor is immersed in different domestic and artistic worlds of invigorating modernity.
En mouvement, a group exhibition featuring Christophe Dentin, Choun Vilayleck, Jacques Salles, Juliette Vivier et François Kenesi
April 2 to May 11, 2018
Come in, come in, come in, come in!
The days get longer. The windows are opened again, a fresh wind flows and invigorates. We feel a rebirth of powerful energy; enthusiasm begins to emerge from hibernation. With spring secretly wriggling with promising impulses, vital energy concentrates the promises of the delicious hours ahead.
Here, we have five visions in motion; the magic of Choun Vilayleck's ships, incredibly build. The incarnations of Jacques Salles' air poems and Christophe Dentin's narrative boxes where only the cream of melancholy remains. Juliette Vivier's beneficial disturbances where even the deluge is controlled; and the revelations of the abstract of a landscape that slips. It is a hub with dynamic destinations that lead to imaginations filled with utopias that are nevertheless very real.
Bridle on the neck, there is the alliance of sweet madness with the expertise of talented artisans. These constructions are delicately imposed, by suggestion. Without claiming them loudly, we feel here the inspiration to wander towards a fervently positive elsewhere. The only demonstration is in the power of evocation. The purity of means, the sobriety of the materials, the minimum palette, the accuracy of the editing, give these speeches an irresistible lightness. Fifty years after May, here is a summary of hopes that create concrete utopias. All this is fragile, yet it exists as a victory over winter. Fifty years later, the need for awakening is still present, as it is by nature.
Fifty years later, it is the spring of impulses, the rebirth of an idea that becomes today to be poetic and aerial. Fifty years later, as an imperative necessity, here is some just fervour.