Exhibitions
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GALERIE SEGUIER
Hanging
Jade Marra
Jade Marra, the painter, has returned from an artistic residency she conducted in the south of France. This period offered her a valuable opportunity to deepen her research and explore new facets of her art.
Through this immersion, she was able to nourish her creativity and develop new techniques. She created works on both canvas and paper, with each medium providing her with a unique source of inspiration.
The landscapes and atmosphere of the south of France particularly influenced her creations, leading to a series of unique and original pieces imbued with this Mediterranean ambiance.
BEYOND THE WALLS
"Remembering Beautiful Things"
- Juliette Lemontey and Laura Pasquino
From May 18th to May 26th
The exhibition "Remembering Beautiful Things" with artists Juliette Lemontey and Laura Pasquino will take place at Château de Houtain-le-Val in Belgium.
The duo exhibition takes visitors on a poetic journey between Juliette's artworks and Laura's ceramics. It unfolds within the enchanting setting of a historic castle dating back to the 12th century. This place has witnessed the ups and downs of history, from the passions of the Duke of Brabant to the resilience of the women who have left their mark there.
Juliette Lemontey, a French painter, is known for her ability to capture life, the grace of movements, and the silences of faces. Her work on memory and identity resonates deeply with the history of Château de Houtain-Le-Val. This exhibition also marks her debut at the Grège Gallery in Belgium.
On the other hand, Laura Pasquino, a ceramist based in Amsterdam, explores life's contrasts, between softness and harshness. Through her ceramics, she plays with textures, raw strength, and the organic shapes of nature. The cracks and tears on her pieces become visual metaphors for human scars and wounds.
Upcoming exhibitions
Paris
June 23th to 14th 2024
Paris
from June 6th to 22th 2024
New York
June 2024
Paris
From September 19th to October 2nd 2024
New York
September 2024
Past exhibitions
Hypernature
Florence Nerisson
June 2017
It may be because of this operation that my paintings first appear one or more elements easy to "read", then if the eye and the soul want to let themselves wear and travel by borrowing others entrance doors, everyone will draw the perspective or meaning that interests them.
The elements from reality are often fragments of nature (plants, flowers, ...) that are pretexts to take the viewer as myself to a dreamlike and meditative universe free from any known norm. Once inside the canvas, he can project his own fantasies, illusions. And the interpretation that seemed simple at the beginning is more sensitive, more complex.I make sure to create several degrees of reading to catch the eye regardless of its place of entry and allow anyone who wants to escape, to rejuvenate oneself by releasing one's own emotions.
Everyone stops where he wants.
I can also say that I build a sort of anarchic harmony comparable to an authentic nature and not channeled by the human, to strike the spectator and thus awaken him to his desires, his emotions, his fears, his aspirations. That's what I call Hypernature. "
