Throughout the year we happily organize collective and / or monographic exhibitions in the Art Room and outside the walls in exceptional places. On these occasions, we bring artists together around a theme which is important to us and we are showing their recent works. These exhibitions can be seen for several weeks by appointment in the Art Room or open to the public during openings.
Thursday September 10, cocktail to discover our exhibition at PHILIPPE HUREL:
Association of chromies, textures, opposition or analogies of shapes, each work resonates with the high-quality pieces of furniture from Philippe Hurel's 2020 collection, at 4 Rue du Bouloi, 75001 Paris, from 6 p.m. to 8 p.m.
Philippe Hurel, designer of exceptional furniture called on Amelie, Maison d'Art - embodied by Amélie du Chalard - to enhance his new collection of furniture. Among more than a hundred contemporary artists that she represents, Amélie du Chalard has chosen some of the works of painters, sculptors, visual artists and photographer.
The values shared by the two Houses, the love of materials, the diversity of disciplines, the discovery of talents, the attachment to the gesture of the hand and to creation, ensure a common thread between Amélie, Maison d'art and Philippe Hurel.
Association of colors, textures, opposition or analogies of shapes, each work resonates with the high-quality pieces of furniture from Philippe Hurel's 2020 collection. With this unique installation, the visitor is immersed in different domestic and artistic worlds of invigorating modernity.
Hypernature, a solo show by the artist Florence Nerisson
May 1st to June 30, 2017
"My inspiration generally comes from all things that belong to the domain of the real, my emotions being the guide that will take me out to reinterpret it. It may be because of this operation that my paintings first appear one or more elements easy to "read", then if the eye and the soul want to let themselves wear and travel by borrowing others entrance doors, everyone will draw the perspective or meaning that interests them. The elements from reality are often fragments of nature (plants, flowers, ...) that are pretexts to take the viewer as myself to a dreamlike and meditative universe free from any known norm. Once inside the canvas, he can project his own fantasies, illusions. And the interpretation that seemed simple at the beginning is more sensitive, more complex.I make sure to create several degrees of reading to catch the eye regardless of its place of entry and allow anyone who wants to escape, to rejuvenate oneself by releasing one's own emotions. Everyone stops where he wants. I can also say that I build a sort of anarchic harmony comparable to an authentic nature and not channeled by the human, to strike the spectator and thus awaken him to his desires, his emotions, his fears, his aspirations. That's what I call Hypernature. "