Movement and form are in the heart of Hélène Millot's work.
In its mobiles, what matters is the idea of putting into motion the forms cut by a simple breath of air. It is not unrelated to the body, the mobility of the spine but also with the wind and vegetation, the image of the movement of the leaves in the trees.
The more the suspended cut form is light, the more the structure can be complex and very mobile. According to the inclination, the position in the space, the mirror aspect of the brass allows the forms to be always changing.
