There are 0 items in your cart. There is 1 item in your cart.
- FR
- EN
Login / Registration Hello
ACCOUNT
WISHLIST
CART
Back
Jo Hummel
- ARTWORKS
- APPROACHES
- CV
- PRESS
Human habits and social behaviour inform an improvised process which combines collage, painting, and installation.
I set out with a phenomenological approach to making works in an attempt to understand states of anxiety and serenity in the realms of spontaneous decision making and pre determined systems. I run experiments where the process often determines the outcome and provides a safe arena for improvisation, a place where rational procedures can co- exist alongside intuition.
Practices such as the manufacture of certain motifs, utilisation of modular grid systems and the employment of repetition are borrowed from nature and industry to create a more self-effacing visual vocabulary which is governed in part by a set of rules as opposed to human authorship. Repetition and pattern is something that has developed instinctively as a way of eliminating anxiety from my studio practice. Its nature is cyclic and oscillates between order and disorder, uncertainty overpowering certainty and vice versa.
Jo Hummel studied at Kingston University London 2001-2004 and Royal College of Art London 2004-2006. Recent solo exhibitions include Artist in Residence, Saatchi Art Lounge, during Frieze Week London 2017, joint solo Deep End Echo Sid Motion Gallery and Porcelain and Paper, CAA Gallery London during London Crafts Week 2016. Her work has been included in satellite exhibition Afternoon Teaat the 53rd Venice Biennale with WW Gallery London, Jerwood Drawing Prize London 2012 and RA Summer Exhibition London and London Art Fair 2019. Joanne was long listed for the Beers London Contemporary Visions exhibition and John Moores Painting Prize 2018, and also in recent years received a number of Arts Council Grants for the Arts awards for temporary installations and research residencies. Works by Jo Hummel are included in both public and private collections and she has a growing international collector base. Her work was featured in the Observer newspaper in an article titled ‘‘Next Generation turns its back on Emin and Hirst’s conceptual artworks’ May 2011, and ‘Picking up a Picasso is one click away’ in the Times August 2013.
Born in 1982 Hampshire, Angleterre
FORMATION
2000 - 2001
Falmouth University
2001 - 2004
Kingston University
2004 - 2006
Royal College of Art London - Correspondence courses
2018 - 2019
Turps Banana Painting School - Correspondence courses
SOLO SHOWS
2019
Titre TBC, & Gallery, Edimbourg
Titre TBC, Agence d'art nordique, Malmo, Sweden
Safety at Sea, After Nyne Gallery
2018
DEEP END ECHO, Galerie Sid Motion, collaborating with Stephen Smith
2017
Integration II, artiste residency with Saatchi Art Lounge, ancienne brasserie Truman, London
2016
DISORDER, collaborating with Laura Hathaway, galerie K6, Southampton
Porcelain and Paper, CAA Gallery collaboration with Sue Paraskeva
London Crafts Week - Installation of a cardboard castle on site, optimally funded by Arts Council England
2015
The Farmer’s Clock, Hop Kilns Gallery, Wight Island, funded by the British Arts Council
Solo avec Amanda Toms, Yarmouth Gallery, Wight Island
2014
Panic of the Human Fancy, Aspex Guildhall Gallery, Portsmouth
2013
Artist in Focus, Newashgate Gallery, Farnham
2012
Works on paper, Back Street Arts, Sheffield
Pocket Museum, The Lightbox, Woking (Part of Hayward's seasonal collage collection)
2011
Works on paper, Arc Space, Galerie Aspex, Portsmouth
Ephemera Narrate, Portsmouth Cathedral, Portsmouth
2009
Collecting Lines, Eldon Gallery, Portsmouth University, Portsmouth
GROUP EXHIBITIONS
2019
The Drawing Room, Sid Motion Gallery, London
2018
Affordable Art Fair Milano, Galerie Liberty, Milan, Italy
London Art Fair 2019 with After Nyne Gallery London
Curated, Amar Gallery, London
The Other Fair Brooklyn, Brooklyn Exhibition Center, New York
The Drawing Room Sid Motion Gallery, London
Unrestricted, And Gallery Edimbourg
Manchester Contemporary, Galerie Amar
Le spectacle abstrait WELL HUNG Gallery, Londres
Affordable Art Fair Stockholm et Battersea, Liberty Gallery
Girls Just Want to Have Fun, UNIT 3 Projects, London
INITIAL SIGHTING, & Gallery, Edimbourg
APRÈS NYNE PRÉSENTE, Après Nyne Gallery. London
EIGHT FROM NYNE 45 Park Lane, London. Organisée par Lily Ackerman et After Nyne Gallery le 10 mai Nouvelle galerie Art Republic et Art Yard, Brighton, le 3 juin
Women's March, Unlimited Gallery, Brighton
Affordable Art Fair Brussels, avec Folly and Muse Gallery
The Other Art Fair, Victoria House, London
2017
A Few of our Favorite Things, Galerie Lotte Inch, York 17 nov. - 24 déc.
Affordable Art Fair, Battersea London, avec Folly et Muse Gallery
Accessible Art Fair BOZAR Bruxelles
Artists in Residence, Saatchi Art Lounge, Frieze Week, Londres, du 5 au 8 octobre, Old Truman Brewery
Sid Motion Gallery, Londres, expose sur le tarmac, exposition organisée pour trois personnes: Nick Jensen, Adam Hedley et Joanne Hummel-Newell du 24 août au 23 septembre 2017
Artiste présenté présentant une installation temporaire, Cardboard Castle, The Other Art Fair, Arnolfini Bristol, du 1er au 3 septembre, avec le soutien du Conseil des arts de l'Angleterre, Subventions pour les arts
IM IN THE GARDENT, Joanne Hummel-Newell, Adam Gillam, Hermione Allsopp et Laura Hathaway
ArtMUC Artfair Munich, avec Folly and Muse Gallery
2016
The Other Art Fair, The Old Truman Brewery, Londres
The Other Art Fair Victoria House, 37 rue Southampton, Londres
2015
Prix contemporain de la Royal Watercolor Society, Bankside Gallery, Londres
Exposition sur la sélection du prix des arts Shoosmiths de MK Arts, MK Hospital, Milton Keynes
Royal Watercolor Society, Concours d'oeuvres contemporaines, Bankside Gallery, Londres
Out of the Box, Hors de la boîte, galerie sans format, Londres
2014
Prix de peinture Bryant et Keeling, One Church Street Gallery, Buckinghamshire
Exposition estivale de la Royal Academy, Burlington Gardens, Londres
Royal Watercolor Society, Concours d'oeuvres contemporaines, Bankside Gallery, Londres
2013
XMAS BOGOF, Galerie WW, Hatton Gardens, Londres
2012
Spare Parts, The Rag Factory, Londres
Visual Diaries, Newashgate Gallery, Farnham
CAVE, Aspex Gallery, Portsmouth
Jerwood Drawing, Exposition présélectionnée pour le prix du dessin, Jerwood Space, Londres et tournée
Say What You See, Aspex Gallery, Portsmouth
2011
Afternoon Tea, Galerie WW, 54ème Biennale de Venise, Venise
2010
Text and Textiles, émission pour 4 personnes, The Point, Eastleigh
Anonymus Drawings, Kunstraum Kreuzberg, Berlin
Drawing the Line, Aspace Bargate Gallery, Southampton
Fukt Magazine présente, Fondation Nomas, Rome
2007
No Man is an Island, commissaire, Rose Lejune, The Empire, London
2006
Festival du film et de la vidéo de Parnu, Estonie
Drawing works, Galerie Coningsby, Londres
Generation, Royal College of Art, Londres
Projection de la télévision terrestre ‘Pull’ BBC2 London Grammar
RESIDENCES
2017
Saatchi Art Lounge, ancienne brasserie Truman, Frieze Week London
2015
Social Sculpture, de Kieron Reed, Artsway, Sway
2011
Lycée de Portsmouth 2011, Portsmouth
PRIX ET COMMISSIONS
2018
Installation murale permanente 2018 «Away» Earlham Street London
2017
Subventions pour les arts 2017 du Conseil des Arts d'Angleterre
Subventions pour les arts du Conseil des Arts d'Angleterre, Ryde Arts Festival
2015
Subventions pour les arts 2015 du Arts Council England Prix contemporain de la Royal Watercolor Society
2010
Prix d'achat de la Quay Arts Gallery 2010, île de Wight
PUBLICATIONS ET PRESSE
2018
Mailonline, Femail, par Andrew Bullock, 29 décembre Article de couverture, Catalogue Saatchi Art Spring, avril
2017
Entretien avec Katie Tomazi Edwards, Stuff, 15 juillet
2016
After Nyne Magazine, numéro de novembre, Women in Art, peinture fraîche de novembre, Magazine April
2015
Catalogue 2015 des œuvres de The Farmer’s Clock, texte de Letty Clarke
2013
Times Newspaper, «Un clic pour ramasser un Picasso», article de Mark Bridge, août
2012
Catalogue du Prix de dessin Jerwood 2012, Introduction du professeur Anita Taylor
2011
Observer Newspaper 2011 'Next Generation tourne le dos à la conception de Emin et Hirst, oeuvres d'art 'May, de Vanessa Thorpe
Afternoon Tea printed catalogue imprimé, galerie WW à la 54e
Biennale de Venise, textes de Cheryl Smyth, Helen Sumpter, Chiara Williams et Debra Wilson
© AMELIE 2015 . All right reserved . Legal notice . Terms . Concept